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This album was released in 1979 that has the track "We All Need Love" which is apparently out of print but you can go to www.ebay.ca and find it second hand. The song doesn't have the synthesizer solo on it like it did on the episode but it was used on their 45 single.



 
 
 
 
  Troiano performed on the sixth episode which was close to Halloween on October 23rd and there were skits of Dracula and Frankenstein one's on this one which was fun and entertaining.
Christine introduced the band and did a comedic one liner with them about their hit song they were going to perform which was "We All Need Love" and the audience was clapping along.
 
  Domenic Troiano was born in Modugno, Italy on January 17, 1946. His family moved to Toronto, Canada three years later. In his early teens, Domenic developed a love for rock and R&B music.

One of his earliest influences was a Canadian musician named Robbie Robertson. Plus he enjoyed Chuck Berry and Elvis. Later, he got into blues and saw Robbie Robertson alot in the bars.

When he was 15, he picked up a guitar and taught himself how to play by purchasing chord books and studying the work of his guitar heroes. Troiano soon found himself in the middle of a burgeoning music scene in Toronto. A few years after he learned how to play the guitar, he replaced Robertson in rockabilly singer Ronnie Hawkins's band. The first song he ever wrote, "The One For Me," became the B-side of Robbie Lane and the Disciples' first single. Troiano stayed for eight months until musical differences set in. He continued to develop his own style of playing.

Domenic joined the house band at Toronto's Blue Note club. The group soon began playing venues besides the famous Toronto hangout. After leaving the Blue Note, the group named themselves the Five Rogues, then the Rogues, and later Mandala.

When they were Mandala they had a manager named Randy Markowitz who arranged them to be known for their stage shows with lots of high energy. After seeing one of the band's shows in Toronto, blues great Bo Diddley recommended the group to Chicago's Chess Records. Mandala recorded their first single, "Opportunity," at the Chess studios in Chicago, and the song became a hit in Canada in 1967.

Atlantic Records signed Mandala and released their debut album in 1968. Domenic wrote or co-wrote 9 of the LP's 10 songs. Soul Crusade and its single "Love-itis" (an obscure R&B cover written by Harvey Scales) sold well in Canada but failed to make an impression in America.

After Mandala's Dominic formed another band in 1970 which was a blues influences band titled Bush which made him a versatile guitarist and the band toured with Steppenwolf and Three Dog Night. But by the spring of 1971 the band had very little money and only a small following. In June, after a gig at the Bitter End in Los Angeles, Troiano, Kenner, Glan, and John decided to pull the plug on Bush. Although Bush was history, Three Dog Night recorded the band's song "I Can Hear You Calling" and included it as the B-side of their own single "Joy to the World." The single turned out to be one of the group's best sellers.

Then Dominic was working on his first solo album with some of his Bush bandmates he reformed with the James Gang and in early 1972 they released the LP Straight Shooter. Domenic even sang lead on his pensive ballad "Getting Old." After its release, Straight Shooter failed to sell as well as earlier James Gang albums.

While still a member of the James Gang, Mercury Records signed Domenic as a solo artist and released his album in the summer of 1972. Recorded at Sound City Studios in Los Angeles, Domenic Troiano featured a wide variety of musical styles. Songs like "The Writing's on the Wall" and "The Wear and the Tear on My Mind" were very pop-oriented, while "I Just Lost a Friend" and "Let Me Go Back" were surprisingly sentimental. "The Answer" and the 10-minute "Repossession Blues" featured some of Troiano's best guitar work. Many critics liked the album, but like Straight Shooter, the album failed to breakthrough commercially. The James Gang featuring Troiano and Kenner released Passin' Thru in late 1972. Once again, the LP featured the distinct Kenner/Troiano sound, but the songs sounded more focused and radio-ready than before. In addition, guest musicians from Nashville gave several songs a country feel. Passin' Thru sold modestly and received mixed reviews. As the James Gang toured Japan late in the year, Troiano began thinking about his next solo album.

In December of 1972, Domenic Troiano began work on his second solo effort. He rehearsed with a new group of musicians in Los Angeles, including bassist Willie Weeks, drummer Kenneth Rice, and keyboardist William Smith. Dominic co-produced the album with Keith Olsen. Released early in 1973, Tricky was an ambitious record that maintained Troiano's high level of musicianship. The second half of the LP featured an 18-minute blues medley that originated from a nearly half-hour long jam. The album was met with critical praise. Soon after Tricky was released, Troiano left the James Gang as he felt they weren't close and the band sued Troiano's band due to a breach of contract so Dominic stayed with the group until he was replaced by Tommy Bolin.

Dominic's reputation as a musician started to grow rapidly. In early 1974 he was asked to join the classic rock band the Guess Who as they were looking for a guitarist to replace their previous one. He accepted and they released their 1974 LP Flavours which sold well and their hit single "Dancin' Fool" made it to the top 40.

Dominic stayed with the group for their next LP Power in the Music. Although the album had goos reviews the band however was going through the motions and all decided to part ways.

Domenic moved back to Toronto to be closer to his family. He formed his own band and began experimenting with jazz-rock, funk, and musical improvisation. Early band members included Fred Mandel, Keith Jones, Wayne St. John, Dave Tyson, and Jimmy Norman. Troiano released his third solo album, Burnin' at the Stake, on Capitol Records in 1977. One of the album's highlights was "The Outer Limits of My Soul," a duet sung by Domenic and his wife, recording artist Shawne Jackson. Produced by Richard Landis and Randy Brecker, the album was a fresh start for a musician who deserved to be more widely recognized for his talents.

With drummer Paul DeLong, bassist Keith Jones, and keyboardists Jacek Sobatta and David Tyson backing him, Troiano issued his second Capitol album in 1978 titled The Jokes On Me which was was recorded at Toronto's Sounds Interchange and was produced by Terry Brown, best known for his work with progressive-rock group Rush. The album was considered challenging and inspired effort that was highly overlooked by critics and the general public.

Then they recorded another album later in the year titled Fret Fever and the LP was released on April of 1979 which he produced. It featured a wide range of styles with Roy Kenner occasionally singing lead vocals. The album spawned a top 20 hit in several European countries and became a radio smash in Canada titled "We All Need Love." Domenic was nominated for Producer of the Year for Fret Fever at the 1980 Juno Awards in Canada; he lost to Bruce Fairbairn for his work on Prism's album Armageddon. Although the album enjoyed modest success, Fret Fever turned out to be Troiano's last with Capitol Records.

In late 1980 Domenic started a new project titled Black Market. He wanted the viewers to know that he had always hard-edged, aggressive music for twenty years and plans to stay that was always typecast in the jazz-rock vein and wanted a change. The group released Changing of the Guard by an independent label in 1981 El Mocambo Records but the group only caught attention to hardcore fans and then decided to take a break from group projects.

He focused his attention on session work, music production, and television and film scores. In the 1980s, Troiano worked with such artists as Moe Koffman, Diana Ross, and Joe Cocker. Into the 1990s, Domenic composed music for a handful of television shows such as Night Heat, Top Cops, Juvenile Justice, and Counterstrike. Troiano earned three Gemini award nominations between 1988 and 1993 for his work on Hot Shots, Diamonds, and Secret Service.

In March of 1996, after 30 years in the entertainment industry, Domenic Troiano was inducted into the Canadian Music Hall of Fame. He was inducted along with Steppenwolf vocalist John Kay, Lovin’ Spoonful guitarist Zal Yanovsky, Mamas and the Papas vocalist Denny Doherty, and Blood, Sweat, and Tears vocalist David Clayton-Thomas.

To the delight of many fans, Domenic Troiano's solo work was reissued on CD in the late 1990s. Troiano Triple Play collected highlights from his Capitol albums, and The Toronto Sound featured Domenic's first two solo albums in their entirety. In November of 2000, Troiano's song "Just as Bad as You" (a hit for Shawne Jackson in 1974) was honored by Canada's SOCAN awards along with other classics including "Summer of '69" and "Born to Be Wild." Into the new millenium, Troiano remained immersed in the entertainment industry. He ran his own studio and independent label, Black Market, and continued scoring music for TV and film. He even began making appearances playing guitar at various music events in Toronto, culminating in a solo performance at the Orbit Room in May 2004, his first in over twenty years. Troiano remained productive through the 2000s despite being diagnosed with cancer a decade earlier. Unfortunately, Troiano's health began to deteriorate by the end of 2004. He lost his battle with cancer the following year, passing away at his Toronto home on May 25, 2005, exactly one year after his Orbit Room appearance.